Over the past two decades, Rushan has experienced rapid urbanization, similar to what occurred in the United States a century ago. During that time, many peasants moved to cities, leading to the rise of a group called the boomers, often property developers. A key trait of these boomers is the strong mismatch between their economic power and taste. This disconnect has influenced urban beautification, shaped by the attitudes of both small farmers and boomers (Yu Kongjian, 1999). Unfortunately, some sculptures from this period were created for personal or political reasons rather than design aesthetics or public benefit. Additionally, a lack of comprehensive planning and aesthetic guidance caused designers and developers to ignore the urban fabric, historical heritage, and surrounding buildings. These factors have contributed to the decline of Rushan’s outdated sculptures in today’s cityscape, causing a negative effect.
The art of decorative design and landscape architecture can transform sculptures through creative use of local materials. The design process involves selecting areas around the sculpture and drilling holes at three-meter intervals. These holes are filled with poles of different heights—usually 1.2–1.4 times the sculpture’s height—to create visual momentum and enhance aesthetic appeal. For safety, unused holes are filled with special rubber plugs, allowing easy movement. Materials are chosen for malleability and storytelling potential, forming units that can be arranged into a cohesive whole. These units interact with the surface, transforming the sculpture and creating new spaces. Pole positions can be adjusted, and materials can vary in form, color, and combination. This flexible approach keeps the design engaging, offering visitors new experiences over time.
